ماهر حليم, سارة. (2022). A Comparative Study Between the Representation of Quails in Ancient and Byzantine Egypt.. حولية الاتحاد العام للآثاريين العرب "دراسات فى آثار الوطن العربى", 25(1), 61-96. doi: 10.21608/cguaa.2022.113746.1099
سارة ماهر حليم. "A Comparative Study Between the Representation of Quails in Ancient and Byzantine Egypt.". حولية الاتحاد العام للآثاريين العرب "دراسات فى آثار الوطن العربى", 25, 1, 2022, 61-96. doi: 10.21608/cguaa.2022.113746.1099
ماهر حليم, سارة. (2022). 'A Comparative Study Between the Representation of Quails in Ancient and Byzantine Egypt.', حولية الاتحاد العام للآثاريين العرب "دراسات فى آثار الوطن العربى", 25(1), pp. 61-96. doi: 10.21608/cguaa.2022.113746.1099
ماهر حليم, سارة. A Comparative Study Between the Representation of Quails in Ancient and Byzantine Egypt.. حولية الاتحاد العام للآثاريين العرب "دراسات فى آثار الوطن العربى", 2022; 25(1): 61-96. doi: 10.21608/cguaa.2022.113746.1099
A Comparative Study Between the Representation of Quails in Ancient and Byzantine Egypt.
Along the history, man was fascinated by birds and was keen on its representation since the pre-historic periods, the interest that continued along the ancient Egyptian history till nowadays. Birds were depicted with its different types and sizes through representing their daily life scenes and their contact with each other’s and with the man. They appeared on the walls of the temples and tombs due to their religious connotations specified to the ancient Egyptian faith beside its role in forming a linguistic symbol of the Egyptian hieroglyphics. Birds’ imagery was an obvious feature of the Egyptian art, starting from the primitive forms of its representation to the highest degree of perfection. Egypt was famed by its various local fowl species beside the migratory one this was due to its location on the midway along the migratory route of some species of birds. This location led to the appearance of many migratory birds on its land, among of which is the Common Quail (Coturnix coturnix) (the focus of the study), which is a small plump migratory bird with narrow wings and striped back. It had a good opportunity in appearance in the ancient Egyptian art and formed a part in the Egyptian diet, continued in appearance during the Greco-Roman period, while with the Byzantine period its appearance gained a religious symbolic meaning beside its artistic appearance as will be discussed in detail through the research. علي مر التاريخ کان الإنسان مفتونًا بالطيور وکان مهتمًا بتصويرها وهو الإهتمام الذي استمر من ما قبل التاريخ وحتى يومنا هذا. تم تصوير الطيور بمختلف أنواعها وأحجامها من خلال تمثيل حياتها اليومية, تفاعلها مع بعضها البعض وتفاعلها مع الإنسان. ظهرت على الصخور وجدران المعابد والمقابر لدلالاتها الدينية الخاصة بالعقيدة المصرية القديمة ودورها في تکوين رمز لغوي مهم للهيروغليفية المصرية بالاضافة الي انها تمثل جزءاً حيوياً من الحياة اليومية. کانت صور الطيور سمة واضحة للفن المصري، بدءًا من المحاولات الأولي لتمثيلها إلى أعلى مستوىات الإحترافية. ويرجع ذلک الي اشتهار مصر بمختلف أنواع الطيور المحلية منها و المهاجرة، ووقوعها في منتصف طريق الهجرة لکثير من أنواعها, مما نتج عن ظهور العديد من الطيور المهاجرة على أرضها، من بينها السمان (Coturnix coturnix) (محور الدراسة). السمان هو احد الطيور المهاجرة صغيرة الحجم, ممتلئة الجسم, بأجنحة قصيرة وظهر مخطط. حظي هذا الطائر بفرصة جيدة في الظهور في الفن المصري القديم وکان يمثل جزءاً من النظام الغذائي المصري، استمر في الظهور خلال الفترة اليونانية و الرومانية، واکتسب معنى رمزيًا دينيًا جديداً إلى جانب ظهوره الفني و تم ذکرة في جميع الکتب السماوية کما سيتم التوضيح بالتفصيل من خلال البحث.
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